I am interested in our relationship with, and place within, the natural world, not as a dominant force but as a contributing part of it. If we succeed in shedding ego and identity, blurring the boundaries between ourselves and everything else, the quality of connection is heightened.
I am interested in our relationship with, and place within, the natural world, not as a dominant force but as a contributing part of it. If we succeed in shedding ego and identity, blurring the boundaries between ourselves and everything else, connection is heightened.
I am interested in our relationship with, and place within, the natural world, not as a dominant force but as a contributing part of it. If we succeed in shedding ego and identity, blurring the boundaries between ourselves and everything else, the quality of connection is heightened.
My work is a form of expression, but once a painting is out of the studio and ‘in the wild’, it’s what others find and what it says to you that matters. I use paint as a metaphor for the different ways in which we all see the world. Greater abstraction leaves space for you to be a greater part of the experience and your response forms part of the painting itself.
As a painter you get to disappear, and, if you choose, become invisible. A painting connects me with other people, but in a way that means something different to each
person who looks at it.
My paintings are a form of expression, but once they leave me and are ‘out in the wild’, it’s whatever it says to you that matters.
As a painter you get to disappear, and become invisible. A painting connects me with whoever looks at it,
but in a way that’s different each time.
My paintings are a form of expression, but once they leave me and are ‘out in the wild’, it’s what others find in them that matters.
As a painter you get to disappear, and become an invisible part of a relationship. A painting connects me with whoever looks at it, but in a way that’s different each time.
